Posts Tagged ‘spectacular’

The Legend of Chinese New Year’s Monster Nian

{ November 22, 2008 @ 6:33 am } · { Celebrities }
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An ancient Chinese legend tells of a man-eating predatory beast called Nian, extremely fierce, with a long head and sharp horn. Nian dwelled deep in the sea the whole year long, but on every Chinese New Year’s Eve it would climb onto the shore to devour livestock and harm humans in a near-by village. Therefore, every Chinese New Year’s Eve, all the villagers would take their old and young deep into the mountains to hide from Nian.

One Chinese New Year’s Eve a grey haired man appeared in the village. He asked permission to stay for the night and assured everyone that he would chase away the beast. No one believed him. In addition, the old man steadfastly refused to go to the mountains to hide. Seeing that he could not be persuaded, the villagers departed without him.

When the beast arrived at the village to wreck havoc as usual, it was met with a sudden burst of exploding firecrackers. Startled by the noise, the flashes of light, and red banners flying about, it hastily turned and fled!

The following day, as the people returned from the mountains, they found the village intact and safe. The old man had left, but they found the remains of the three precious items he had used to chase the beast Nian away. They all agreed that the old man must be a deity who had come to help free them of the beast.

From then on, every Chinese New Year’s Eve, families would hang red banners, set off fire crackers, and light their lamps the whole night through, awaiting the Chinese New Year. The custom spread far and wide and became a grand traditional celebration of the “Passing of Nian” (“Nian” in Chinese means “year”).

So celebrating the Chinese New Year should be called “passing of Nian” or “Guo Nian” in Chinese. However the term was gradually changed to “Spring Festival” after the Chinese Communist Party (CCP) took power in 1949. Gradually people have forgotten the legend behind these Chinese New Year traditions. It is merely one small example of how the CCP has robbed the Chinese people of their rich traditional culture.

New Tang Dynasty Television (NTDTV) is working hard to reverse this loss. In its 2006 Chinese New Year Global Gala it actually put the ancient story of the Nian monster on stage. NTDTV’s Chinese New Year shows are a unique opportunity to experience the magic of traditional Chinese culture. Marvelous music, ancient instruments, magnificent backdrops, splendid costumes, and first class performers–altogether make for outstanding entertainment reflecting China’s 5,000 years of civilization and traditional culture–a culture rich in myths and legends worth cherishing and preserving.

Between January and March the 2007 NTDTV Chinese New Year Spectacular will be touring Atlanta, Boston, Chicago, Dallas, Houston, Los Angeles, New York, Philadelphia, San Francisco, Washington, DC, and major cities in Canada, Europe and Asia. http://shows.ntdtv.com

A New Music of the Orient: a Touch of the West and a Dash of the Divine

{ November 11, 2008 @ 4:09 am } · { General }
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A new musical fusion has arisen in New York and it’s not the kind you can catch for ten dollars at a club in the West Village. For the many thousands of Chinese immigrants trying to stay afloat in a new world and for those westerners who have always wanted to understand the Chinese but have shied away for lack of a way in–for anyone who has wondered where the two civilizations connect, the answer may lie not in words, but in music.

Lisa Li is a master of the pipa (Chinese lute) and a graduate of the Chinese Conservatory of China. She has composed and performed across Europe, Asia and the United States, and her playing was featured in the Academy Award-winning movie The Last Emperor.  Now, as one of the lead composers for New Tang Dynasty Television’s Chinese New Year Spectacular, a grand scale performance of traditional Chinese dance and song, Lisa has created what she believes to be a new kind of sound–based on ancient Chinese folk and religious music, but going beyond either of them.

“Music is alive, because in the view of the Chinese ancients, every single object in the world has life. In fact, in Chinese, when we refer to a musical note we call it a ‘live note,’” she explains. But according to Lisa, it must be composed and played from the heart—sometimes in ways that sound foreign to the western ear.

But the melodies are far from random. Lisa’s music, like all traditionally composed Chinese music, is based on a series of pentatonic (5-note) scales. This system has its roots in Taoism, which teaches that all matter is formed from the five basic elements of metal, earth, wood, fire, and water. It teaches that in order for a being to be healthy, it must have all of these elements in balance. So, from the Chinese perspective, a song or piece of music must also contain a uniquely crafted balance of these elements. There are also eight note scales that relate to the Taoist symbol called the bagua, which is most commonly known in the West as part of the practice of fengshui, or geomancy.

An example of this is the piece she wrote for the dance “A Dunhuang Dream.” The dance is set against a backdrop of thousands of caves carved into the sides of cliffs as they are in the Moago Grottoes in the Dunhuang region of China. Seated at the mouth of each cave is a Buddhist or Taoist deity. As the dancers emerge, one can hear from the orchestra pit the voices of the erhu (Chinese violin) and guzhen (zither), but these are soon joined by the more recognizable resonance of cello, bass, oboe, and brass.  The result strikes the ear as achingly otherworldly and yet also solidly familiar.

In fact, the specific ya yue used in the score is the same as that found in the ancient pipa music written on scrolls that were discovered by archeologists in the actual Dunhuang caves years ago.

“I feel very deeply that music is a heavenly language, a divine language,” Lisa says. “It is able to uplift people’s hearts and minds. It is good for the soul.”